Chloë Hanslip (b. 1987) has already established herself as an artist of distinction on the international stage.
Prodigiously talented, she made her BBC Proms debut in 2002 and her US concerto debut in 2003, and has performed at major venues in the UK (Royal Festival Hall, Wigmore Hall), Europe (Vienna Musikverein, Hamburg Laeiszhalle, Paris Louvre and Salle Gaveau, St Petersburg Hermitage) as well as Carnegie Hall, Metropolitan Arts Space in Tokyo and the Seoul Arts Centre.
Her performances have included the Symphonieorchester des Bayerischen Rundfunks, Philharmonia Orchestra, Royal Philharmonic Orchestra, London Philharmonic, Beethoven Orchester Bonn, Bern Symphony Orchestra, Bremen Philharmonic, City of Birmingham Symphony, Royal Liverpool Philharmonic, BBC National Orchestra of Wales, Lahti Symphony, Moscow State Symphony, Norwegian Radio, Real Filharmonia Galicia, Vienna Tonkünstler Orchester, Hamburg Symfoniker, Czech National Symphony, Orchestra Sinfonica Nazionale della RAI, Orchestra Regionale Toscana, Helsingborg Symphony, Royal Flemish Philharmonic and the Tampere Philharmonic Orchestra.
Further afield her engagements include the Cincinnati Symphony, Detroit Symphony, Houston Symphony, Tokyo Metropolitan Symphony, Malaysia Philharmonic, Adelaide Symphony, Auckland Philharmonina and the Singapore Symphony Orchestra. She has collaborated with conductors such as Sir Neville Marriner, Sir Andrew Davis, Mariss Jansons, Paavo Järvi, Charles Dutoit, Michail Jurowski and Jeffrey Tate.
Chloë has an extensive discography, most recently recording for Hyperion, her first release on the label featured Violin Concertos by Vieuxtemps (Royal Flemish Philharmonic Orchestra/Brabbins). Her CD of York Bowen Sonatas with Danny Driver received recommendations from Gramophone (Choice) and The Strad and her other Hyperionrecordings include Glazunov/Schoeck Concertos and Medtner Violin Sonatas. Other notable recordings include Bruch Concertos with the London Symphony Orchestra (Warner Classics) for which she won the Echo Klassik Award for ‘Best Newcomer' (2002) and 'Young British Classical Performer' at the Classical BRITS (2003), and a highly acclaimed recording of John Adams Violin Concerto with the Royal Philharmonic Orchestra/Slatkin.
Hanslip’s wide-‐ranging repertoire spans Concertos by Britten, Prokofiev, Beethoven, Brahms, Korngold, Shostakovich, Barber, Bernstein, Delius, Mendelssohn, Bruch, Elgar, Tchaikovsky, Walton and Sibelius. With a particular passion for contemporary repertoire, in recent years she has performed works by Adams, Glass, Corigliano, Nyman, Huw Watkins, Peter Maxwell Davies and Brett Dean. A committed chamber musician, she is a regular participant in Open Chamber Music at Prussia Cove and at the Kuhmo Chamber Music Festival in Finland. Her recital partners include Angela Hewitt, Danny Driver, Igor Tchetuev and Charles Owen.
Highlights of the 2016-‐17 season include concerto performances with the Royal Philharmonic, Bournemouth Symphony, BBC National Orchestra of Wales, Orchestra della Toscana, Auckland Philharmonia and Malmo Symphony. With regular duo partner Danny Driver, she undertakes a complete Beethoven Violin Sonata cycle at Turner Sims Concert Hall, a recital at London’s Wigmore Hall and will continue her chamber music collaborations at the Bergen Festival.
Chloë studied for ten years with the Russian pedagogue Zakhar Bron. She has also worked with Christian Tetzlaff, Robert Masters, Ida Haendel, Salvatore Accardo, and Gerhard Schulz.
She plays a Guarneri del Gesu 1737.
Website: www.chloehanslip.com